KUB 37.172+ (CTH 553) [by HPM Divinatory Texts]

KUB 37.172 {Frg. 3} + 168 {Frg. 2} (+) 167 {Frg. 1}

Abbreviations (morphological glossing)

(Frg. 1) obv. I shows the endings of four paragraph lines, then ten increasingly long empty line endings are visible.

(Frg. 2+3) about 7 lines missing

(Frg. 2+3) obv. I 1′ ]-ub

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(Frg. 2+3) obv. I 2′ ]-ni?

(Frg. 2+3) obv. I 3′ ] RA

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(Frg. 2+3) 5-6 lines missing

…	RA

(Frg. 2+3) obv. I 1″ ]x(-)x(-)x(-)ni? [

	…

(Frg. 2+3) obv. I 2″ ]x LÚ x[

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end of obv. I

	LÚ

(Frg. 1) obv. II 1′ D⸢U⸣? [

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D⸢U⸣?	…

(Frg. 1) obv. II 2′ BAD SILIM GI[M

BAD	SILIM	GI[M

(Frg. 1) obv. II 3′ šap-li-i[š

šap-li-i[š

(Frg. 1) obv. II 4′ ina GIŠTUKUL ZAG k[a-

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ina	GIŠTUKUL	ZAG

(Frg. 1) obv. II 5′ BAD SILIM GIM UD.ŠAKAR-m[a

BAD	SILIM	GIM	UD.ŠAKAR-m[a

(Frg. 1) obv. II 6′ LÚ i-bi-sà!-a1 ⸢i⸣-[IGI]

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LÚ	i-bi-sà!-a	…	⸢i⸣-[IGI]

(Frg. 1) obv. II 7′ BAD SILIM GIM UD.ŠAKAR-ma [

BAD	SILIM	GIM	UD.ŠAKAR-ma	…

(Frg. 1) obv. II 8′ LÚ ne-me-lam [i-IGI]

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LÚ	ne-me-lam	[i-IGI]

(Frg. 1) obv. II 9′ BAD SILIM GIM UD.ŠAKAR-ma x[

BAD	SILIM	GIM	UD.ŠAKAR-ma

(Frg. 1) obv. II 10′ DU₈-er pí-it-ru-uš-t[um]

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DU₈-er	pí-it-ru-uš-t[um]

(Frg. 1) obv. II 11′ BAD SILIM GIM ŠU.GUR ⸢ÉRIN⸣ x[

BAD	SILIM	GIM	ŠU.GUR	⸢ÉRIN⸣

(Frg. 1) obv. II 12′ DA.DA.RA-i[ṭ

DA.DA.RA-i[ṭ

(Frg. 1) obv. II 13′ ⸢i-na? ⸢x⸣[

about ten lines missing

⸢i-na?

(Frg. 3) obv. II 1″ BAD ina GÙB SIL[IM

BAD	ina	GÙB	SIL[IM

(Frg. 3) obv. II 2″ BURU₁₄ KUR KÚR DU RA.⸢RA⸣

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BURU₁₄	KUR	KÚR	DU	RA.⸢RA⸣

(Frg. 3) obv. II 3″ ⸢BAD ina⸣ ŠÀ SILIM GIG ŠUB LÚ ni-ši-tam [i-IGI]

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⸢BAD	ina⸣	ŠÀ	SILIM	GIG	ŠUB	LÚ	ni-ši-tam	[i-IGI]

(Frg. 3) obv. II 4″ BAD ina ŠÀ SILIM ŠU.⸢KAM⸣.MA Š[UB?

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BAD	ina	ŠÀ	SILIM	ŠU.⸢KAM⸣.MA	Š[UB?

(Frg. 3) obv. II 5″ BAD ina ŠÀ SIL[IM

obv. II breaks off

BAD	ina	ŠÀ	SIL[IM

(Frg. 2) rev. III

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(Frg. 2) rev. III 1′ ⸢BAD⸣ SILIM ZAG ŠÀ.MÚD [iḫ-t]a-⸢ra⸣-aṣ(?)

⸢BAD⸣	SILIM	ZAG	ŠÀ.MÚD	[iḫ-t]a-⸢ra⸣-aṣ(?)

(Frg. 2) rev. III 2′ LÚra-ab-*si*-⸢ka₄-tum⸣ in-na-am-bi-it

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LÚra-ab-*si*-⸢ka₄-tum⸣	in-na-am-bi-it

(Frg. 2) rev. III 3′ BAD ina ŠÀ SILIM GIŠTUKUL GAR-ma ZÉ IGI-ul

BAD	ina	ŠÀ	SILIM	GIŠTUKUL	GAR-ma	ZÉ	IGI-ul

(Frg. 2) rev. III 4′ LÚ ÚKU i-šar-ra

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LÚ	ÚKU	i-šar-ra

(Frg. 2) rev. III 5′ BAD ina ŠÀ SILIM GIŠTUKUL GAR-ma AN.TA-iš IGI-ul 〈〈ḪI〉〉

BAD	ina	ŠÀ	SILIM	GIŠTUKUL	GAR-ma	AN.TA-iš	IGI-ul	…

(Frg. 2) rev. III 6′ LÚ NÍG.TUKU i-la-ap-pí-in

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LÚ	NÍG.TUKU	i-la-ap-pí-in

(Frg. 2) rev. III 7′ BAD SILIM pa-ri-ik at-ta ù LÚ.KÚR

BAD	SILIM	pa-ri-ik	at-ta	ù	LÚ.KÚR

(Frg. 2) rev. III 8′ ta-aš-ta-an-na-an-na

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ta-aš-ta-an-na-an-na

(Frg. 2) rev. III 9′ BAD SILIM ga-pí-iš ši-ib-sà-at DINGIR

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BAD	SILIM	ga-pí-iš	ši-ib-sà-at	DINGIR

(Frg. 2) rev. III 10′ BAD SILIM pa-ši-iṭ i-ši-id GIG

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BAD	SILIM	pa-ši-iṭ	i-ši-id	GIG

(Frg. 2) rev. III 11′ BAD SILIM pa-ši-iṭ-ma pa-ši-im GIG TI-aṭ TI

BAD	SILIM	pa-ši-iṭ-ma	pa-ši-im	GIG	TI-aṭ	TI

(Frg. 2) rev. III 12′ ina KUR i-ba-aš-šu-ú

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ina	KUR	i-ba-aš-šu-ú

(Frg. 2) rev. III 13′ BAD SILIM GIM MÙŠ na-aš-ku-un BÚN

BAD	SILIM	GIM	MÙŠ	na-aš-ku-un	BÚN

(Frg. 2) rev. III 14′ GAR-*ka₄?*-na LÚ GIG BA.ÚŠ

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GAR-*ka₄?*-na	LÚ	GIG	BA.ÚŠ

(Frg. 2) rev. III 15′ [BA]D ⸢SILIM⸣ e-kim UDḪI.A i-ṣú-ú-tù [

rev. III breaks off

[BA]D	⸢SILIM⸣	e-kim	UDḪI.A	i-ṣú-ú-tù	…

(Frg. 3) rev. IV 1 ⸢BAD SILIM GIM⸣ ŠU.GUR-ma x[

⸢BAD	SILIM	GIM⸣	ŠU.GUR-ma

(Frg. 3) rev. IV 2 ÉRIN-ni ina ú-sú-úr-ti-š[a iṭ-ṭi-ir-ma ša]

ÉRIN-ni	ina	ú-sú-úr-ti-š[a	iṭ-ṭi-ir-ma	ša]

(Frg. 3) rev. IV 3 iṭ-ru-ša [

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iṭ-ru-ša	…

(Frg. 3) rev. IV 4 BAD SILIM GIM ŠU.GUR-ma ù [

BAD	SILIM	GIM	ŠU.GUR-ma	ù	…

(Frg. 3) rev. IV 5 [G]AR-at ÉRIN-ni ina ú-sú-ú[r-ti-ša]

[G]AR-at	ÉRIN-ni	ina	ú-sú-ú[r-ti-ša]

(Frg. 3) rev. IV 6 ⸢i⸣-ma-aq-qú-us-sí-m[a

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⸢i⸣-ma-aq-qú-us-sí-m[a

(Frg. 3) rev. IV 7 [BA]D SILIM ina ÍD ZÉ [

[BA]D	SILIM	ina	ÍD	ZÉ	…

(Frg. 3) rev. IV 8 [i?]-na qa-ti [

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[i?]-na	qa-ti	…

(Frg. 3) rev. IV 9 [ ](-)x-x(-)[

…

(Frg. 3) gap of 4-5 lines

(Frg. 3) rev. IV 16 [ ]-⸢ú BA⸣.Ú[Š?

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…		BA⸣.Ú[Š?

(Frg. 3) rev. IV 17 [ ]x 1 AN.TA-u

…		1	AN.TA-u

(Frg. 3) rev. IV 18 [1 KI.TA-u ]-šu i-ma-aḫ-ḫu-ra-[ ]

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[1	KI.TA-u	…			…

(Frg. 3) rev. IV 19 [ i]k-ka₄-le-ém-mu

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…	i]k-ka₄-le-ém-mu

(Frg. 3) rev. IV 20 [ ]x-tim

…

(Frg. 3) gap of 3-4 lines with 3 paragraph lines visible

(Frg. 3) rev. IV 25′ [ ]x

rev. IV breaks off

…