Kurzbeschreibung |
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Outline.3 preserves a fragmentary account of the early days of the festival.
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Texte |
| Exemplar A | A₁ | IBoT 4.72 | Bo 1217 | Ḫattuša |
| + A₂ | + DBH 46/2.31 | + Bo 4697 | Ḫattuša | |
Literaturauszug aus der Konkordanz |
- C. Corti, FsKošak, 2007: 166 mit Anm. 16
- M. Nakamura, PIHANSt 94, 2002: 15ff.
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Inhaltsübersicht |
| Abschnitt 1ID=5 | DAY 4: The king travels to Taḫurpa. Woodpile-rite at the river in Ḫišurla. Great assembly in Taḫurpa. |
| Abschnitt 2ID=6 | DAY 5: The king travels to Arinna and performs the nuntarriyašḫa- festival. Celebrations including the new yield. In Taḫurpa, the queen celebrates the Sun-Goddess of Arinna and Mezzulla. |
| Abschnitt 3ID=7 | DAY 6: The royal couple return to Ḫattuša via Tatišga. The king celebrates all deities. Two great assemblies. | |
History of publication |
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In Nakamura’s edition (Nakamura M. 2002a: 6 and 15–33), IBoT 4.72 is designated as Ü 1.C (thus a duplicate of KUB 9.16+). Shortly thereafter, DBH 46/2.31 (still as Bo 4697) was recognized as an outline tablet of the nuntarriyašḫa- festival (HPMM 1: 144 as Ü.1.E), and an indirect join between the two fragments was cautiously proposed by Corti (Corti C. 2007a: 166 with n. 16).
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Tablet characteristics |
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Only the left middle portion of column i is preserved.
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Palaeography and handwriting |
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Outline.3 is written in the New Script. Although the evidence is limited, the forms of NA, ZI, É and NU suggest that Outline.3 may have been written by the same scribe who wrote Outline.17 (see Kryszeń A. 2025a: 136f.). For further details, see “Palaeography and handwriting” under Outline.17.
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